Solo Show of Paintings By Ranjeet Datt Varma at Jehangir Art Gallery
A solo exhibition titled ‘Gwala’ by artist Ranjeet Datt Varma will open on 16 March 2026 at 5 p.m. at the historic Jehangir Art Gallery. The exhibition will remain on view until 22 March 2026 and will present a new body of paintings that draw inspiration from the pastoral and devotional imagery associated with the cowherd figure in Indian cultural memory.
In this series, Varma explores the symbolic world surrounding the Gwala – a figure historically linked to Krishna lore and the agrarian life of pastoral communities. Rather than approaching the subject as a strictly mythological narrative, the artist interprets it through a contemporary painterly vocabulary that merges folk sensibilities with stylised figuration. The result is a group of works that evoke tenderness, companionship and quiet introspection while retaining a strong connection to rural cultural identity.
Varma’s paintings are distinguished by their radiant palette and fluid forms. Figures appear simplified and sculptural, often emerging from fields of luminous colour that heighten the emotional atmosphere of the compositions. The surfaces carry a sense of vivid lyricism, where expressions, gestures and shared moments between characters become central to the narrative. Through these visual encounters, the artist reflects on themes of love, devotion and everyday human relationships embedded within traditional storytelling.
The exhibition also highlights Varma’s engagement with colour as a primary expressive device. His canvases unfold through vibrant tonal contrasts that create depth and vitality while maintaining a sense of harmony across the pictorial space. This chromatic language lends the works an almost dreamlike quality, balancing familiarity with imaginative interpretation.
Originally from Nanded, Maharashtra, Ranjeet Datt Varma brings the cultural memory of rural life into dialogue with the contemporary gallery environment. ‘Gwala’ therefore becomes more than a thematic series; it functions as a visual meditation on heritage, storytelling and the enduring emotional resonance of pastoral imagery within modern artistic practice.
